Category Archives: BOOK REVIEWS

‘ISLANDS OF THE HEART’ BY DAVID STRINGER

‘Islands of the Heart’ is a novel penned by David Stringer. It tells the story of a family whose members desperately try to come to terms with their past.

ISLANDS OF THE HEART

Summary

For Wolf, an ex-soldier, life has always been simple – when faced with a trouble, it’s best to settle it with your fists. But when his murky past catches up with him, fists no longer seem useful. Wolf knows he needs to leave to sort out his personal issues.

Wolf’s girlfriend, Tania, disappointed with her man’s departure, struggles with problems of her own. Wanting to uncover Wolf’s secrets as well as understand her own life, she decides to return to her childhood home.

A difficult past also haunts Steven, Wolf’s father, who can’t forgive himself sins he committed and Pepe, the soldier’s mother, who escaped to her native Samoa to find solace and peace.

Review

This novel is not an easy read. If you think you can take it and spend a relaxing afternoon immersing yourself in a pleasant world of exotic New Zealand and Samoa, I can tell you right away that this is not the case here. For this book is disturbing; profoundly disturbing. So unless you are ready for a bit of shock, foul language, and general ‘rawness’, leave it.

Having mentioned that, I should also mention that this is probably one of the best stories I have ever read. It is unbelievably complex, with twists and turns you couldn’t predict even if you were a master Jedi. The narrative doesn’t go from A to B in a straight (and usually boring) line. There are bends and curves, there is the unexpectedness of what’s going to happen next. Every few pages you get hit with yet another surprise. And, let me assure you, these surprises don’t stop until you reach the very end of the very last chapter.

The story is supported by a group of well-crafted characters. They are a mixed bag of personalities, whom you’ll either adore and admire or simply hate and despise. I would even risk a statement here that in them lies the key strength of this novel. Why? Because they are plausible; neither good nor bad. They have virtues and flaws. They have dreams and expectations as well as closely-guarded secrets they’re ashamed and scared to share with others. To put it simply, they are exactly like us.

Now, great characters alone are not enough to drive the plot. They need to interact with one another. David Stringer managed to paint a very real picture of the relationships people build. How they connect. How they depend on each other. How they place confidence in another person and how easily that trust can be lost. The characters in this book seem to be destined to affect each other’s lives. You may think that one wouldn’t exist without the other. And, you know what, that might be true.

Although the book’s main focus is put on people, the author didn’t forget to touch on cultural and political issues, which provide a sort of background for the characters’ personal tales. Wolf and Tania’s relationship is a top-notch portrayal of the ambiguous relations that native Maoris and Pacific Islanders have. David Stringer explores and accentuates the differences between the two ethnic groups, clearly showing that not all Pasifika people feel that they belong to the same family. The myth of loyalty among the Islanders has just got debunked.

‘Islands of the Heart’ is an excellent novel. Closely observed and artfully written, it reaches deeply into the core of the human nature. It won’t put you in a good mood, that’s for sure, but it will make you think. And, quite possibly, appreciate the power of love and forgiveness.

‘FREELOVE’ BY SIA FIGIEL

‘Freelove’ is Sia Figiel’s latest novel. It is set in Samoa in the 1980s and revolves around the first love experiences of a seventeen-year-old girl.

FREELOVE

Summary

Inosia Alofafua Afatasi, an inquisitive student from the Village of the Sacred Owl, is sent by her mother to the capital to buy three giant white threads. As she’s waiting at the bus stop, her young teacher of Science and Math, Mr Ioane Viliamu, stops to offer her a ride in his car. Sia just knows that the minute she steps a foot into the truck, her life will change forever.

Review

Sia Figiel is one of the best and most renowned Pacific writers, so whenever she publishes a book, you expect it to be at least very good. It was a long wait for ‘Freelove’ but, let me assure you, oh-so worthy, because the novel certainly does not disappoint.

It’s not a secret that Ms Figiel just loves breaking cultural taboos. She had done it in her earlier works and she did it again in ‘Freelove’. When it comes to the Pacific cultures, there are few greater taboos than those concerning human sexuality. Now, a person not familiar with Samoan or Pacific ways of being might think that this title is a coming-of-age story about young girl’s sexual awakening. But the truth is, this is just the outer layer – the most prominent one, yes; the most easily noticeable, yes; the most important, absolutely not.

The main characters’ relationship, although graphically described and thus attracting readers attention, serves a higher purpose. It’s nor there to shock people or make them blush. It’s not a cheap entertainment. It’s not even an attempt to contradict Margaret Mead’s studies. It is a way of showing the constantly changing culture, where tradition fights with modernity even though the two have already become closely intertwined – just like Sia’s and Ioane’s bodies.

The author managed to wonderfully expose Inosia’s journey in discovering her own identity, as both a Samoan and a woman. We observe her trying to remain a dutiful daughter while at the same time following her heart. It’s not easy to fulfil social expectations when you have your dreams and desires. Or maybe it’s not easy to fulfil your dreams when you’re restricted by social expectations.

Ioane, on the other hand, is a guide who leads Inosia through her journey of discovery. Not only does he show her a completely unknown world, he also throws a new light on the ancient traditions of the Samoan people. Ioane is Sia’s lover, soulmate, friend, teacher, and motivator. He encourages her to indulge her passions, but also reminds her to never forget her cultural roots.

What you might not see at first is the fact that the book is an encouragement for a dialogue. Sia Figiel created two truly fascinating protagonists, through whom she tried to convey her wisdom. By giving us Inosia – a somewhat naïve yet enormously clever girl with ambitions, who’s doing all she can to find herself in a collectivist society – and Ioane – a young but experienced man willing to sacrifice his future so that the girl he loves can lead the life she wants and deserves – she makes us ponder on the value on individualism and self-realization in a culture where ‘we’ is still more important than ‘I’.

The story itself is told in an unconventional and very poetic manner, which for some people might be a little overwhelming, if not purely irritating. The powerful prose indeed leaves readers in awe of the author’s talent and skills, but the occasional flowery descriptions might be unappealing. I should also mention that those of you who are not particularly romantic may find the second part of the book – where Sia and Ioane exchange love letters – quite annoying. I mean, how many times can you read somebody’s love confessions, especially if they are a bit exaggerated?

All in all, ‘Freelove’ is a wonderful novel, definitely worthy of your time and attention. It’s a highly perceptive, enlightening piece of literature, which provokes thinking and reflection on love, sex, personal growth, and – most of all – the importance of culture in a person’s life. It is a fairy-tale, but I won’t tell you if it’s with or without a happily ever after ending. You’ll have to find out for yourself.

‘OUR HERITAGE, THE OCEAN’

‘Our Heritage, The Ocean’ is a compilation of the top stories from the 2015 Samoa Observer Tusitala Short Story Competition.

our-heritage-the-ocean

Summary

What’s life like in the beautiful Pacific? Is living in paradise happier, more joyful, less stressful? Are smiles broader and tears less burning there? Sometimes, yes. Other times, no. Just like anywhere else in the world.

The loveliness of the islands doesn’t shield people from the trials and tribulations of everyday life. There are troubles, doubts, decisions one needs to make; and a constant conflict between the values of the ancestors and the modern world. Because when the past collides with the present, everything’s a little bit harder to do.

Review

This book is an undeniable proof that there are so many talented writers among the Pacific Islanders. And thanks to the Samoa Observer Tusitala Short Story Competition, some of them finally get a chance to shine.

To say that this collection is good would be an understatement. It is truly exquisite. Actually, when you start reading it, you just can’t put it down.

The stories presented in the compilation are as varied as the islands of the Pacific they focus on. Some of them are serious in nature, others more light-hearted. Some might make you furiously mad or saddened, while others will surely bring a smile to your face. But they all have one thing in common – they touch on the issues important for the Pacific peoples.

The most distressing tale is narrated by an unborn child who – while still in the mother’s womb – endures physical abuse. This spectacular and uncommon way of showing the problem of domestic violence has never been seen before. It’s a literary masterpiece I dare to say only someone from the Pacific region (in this case, it was Sina Retzlaff) could create.

Another story that brings up a similar topic concentrates on a Samoan wife – dutiful and ready to stand by her man no matter what. Good reputation is all that counts. The rest stays behind closed door.

Domestic violence is not the only problem the Islanders need to face. Reconciling traditional ways of being with modern lifestyles proves to be an enormous challenge as well, for young and old alike. And then there’s this long-lasting antipathy towards those who belong to a different race, who are not of full blood. As it turns out, migrants in the Blue Continent struggle to feel accepted no less than the Islanders living in foreign countries.

Yes, this is the Pacific shown in its truest colours.

The stories vary greatly in themes explored but not in quality, which is a very rare thing. Usually, when a compilation includes works by various authors, the level of one’s reading enjoyment fluctuates wildly depending on how good a particular tale is. But this book is different, as not even one story is less interesting than the others. They are all exceptionally well written in a style that stirs the imagination and engages all the senses. Vivid descriptions – so important in some of these narratives – help convey the message, making the truths hidden between the lines perfectly visible. Because this compilation is not only entertaining, but most of all thought provoking. It encourages critical reflection and deep thinking – something only the best pieces of literature are able to do.

‘Our Heritage, The Ocean’ is a book I wholeheartedly recommend. Seventeen stories – all equally good, seventeen authors – all worthy of attention. Robert Louis Stevenson surely would be proud.

‘MAGIC FISH DREAMING’ BY JUNE PERKINS

‘Magic Fish Dreaming’ is a collection of poems for children written by June Perkins and illustrated by Helene Magisson.

magic-fish-dreaming

Summary

In the northern part of Queensland there’s a world full of magic. Far away from bustling cities, Mother Nature spreads her wings.

Under the starry skies, shady pools hum with life. Age-old trees stand tall with pride in the rays of the hot Australian sun. Cassowaries search for food, geckos show their dancing moves, tawny owl hunts for bugs, while crocodiles hide under the lily pads.

Review

A poetry book for children is always a risky business. Unless it’s a simple rhyming poem, an author can never be sure if a certain piece will be to a child’s liking. Now, ‘simple’ is definitely not a world with which you could describe June Perkin’s collection. And yet she can be certain that little ones will read it with great interest.

When it comes to children literature there is one rule authors have to have in mind, and that’s visual attractiveness. A book must be visually appealing in order to immediately capture a child’s attention. Only then will he or she want to reach for it. Children, especially the younger ones, look for the abundance of colours, fascinating characters, and pictures that will ‘show’ the story they are about to read. In this regard ‘Magic Fish Dreaming’ gets a perfect ten. The illustrations, which were created by Helene Magisson, could not be any more pleasing. They stir the imagination, enhancing children’s understanding of the poems. Ms Magisson managed to convey North Queensland’s enchanting atmosphere so well that anyone – regardless of age – will want to visit the place to see all the things mentioned in the book. Well, we all know that a picture is worth a thousand words. That is certainly true.

While the drawings may make children squeal with delight, the poems might not necessarily trigger the same reaction. Although written especially for children, they are not kids’ stuff. A younger child will probably have troubles deciphering the real meaning of the verses, which can make the reading process a little less enjoyable. Despite the inclusion of sound words – usually adored by children – and different rhymes, the collection may not appear as fun as others. The poems are rather baffling, so some clarification might be needed. Of course, that doesn’t mean the book is unsuitable for six- or seven-year-olds. Quite the contrary actually. A challenging book enables children to grow up with it; to come back to particular poems and discover them anew.

The theme of ‘Magic Fish Dreaming’ revolves around nature, which gives youngsters a wonderful opportunity to wrap their minds around this topic. It is the responsibility of every adult person to show children the importance of the natural world, as well as explain to them some of the issues connected with it. And this is exactly what June Perkins has been trying to do. Every page, every poem in her book manifests the significance of flora and fauna. In a playful way she encourages people (not only those under the age of 12) to respect the environment, to value the ancient wisdom, and think about what the future may bring. And – I’m sure you’ll agree with me on this one – who can be a better teacher than a gecko, cassowary, or a singing bird?

If you’re looking for a perfect gift for your child, look no more. This beautiful book will stay with your family for a very long time, giving you a chance to have a completely different reading experience every time you’ll have it in your hands. I do recommend it for young and old alike.

‘WHERE WE ONCE BELONGED’ BY SIA FIGIEL

‘Where We Once Belonged’ is Sia Figiel’s debut novel. This coming-of-age story of a Samoan girl won the 1997 Commonwealth Writers’ Prize for The Best First Book in the Southeast Asia and South Pacific Region.

where-we-once-belonged

Summary

Alofa Filiga is a typical teenager who tries to navigate her way through the transition from being a girl to becoming a woman. Together with her friends she explores the new and exciting world of adulthood while gossiping about boys, love, lust, and all the things that grown-ups do.

Although for Alofa life is never boring, it isn’t always as good as she would want it to be. She quickly discovers that the bumpy road of adolescence gets even bumpier when one lives in a place where two cultures collide. Reconciling tradition with modernity seems to be virtually impossible, especially for a young and naïve girl succumbed to the will of other people.

Review

The first sentence of this novel is about a woman’s vagina. Pacific authors hardly ever write about vaginas. This shows, right off the bat, how brave Sia Figiel is. And you already know that the book you’re holding in your hands is going to be groundbreaking.

When you think about coming-of-age titles about Samoa, or Pacific Islands in general, you probably have this instant thought coming to your mind: Margaret Mead. Her study of the Samoan youth is indeed an anthropological classic. But, let’s be honest here, what can a white woman from some faraway country know about living and growing up in Polynesia? Is she really more knowledgeable than someone from within that culture? I dare to say she isn’t. Sia Figiel, on the contrary, provides readers with the first-hand account. Having been brought up in the Samoan Archipelago, she demonstrates competence as well as thorough understanding of what she is writing about.

The substance of her novel might be quite shocking to some people, especially those not familiar with Pacific cultures. The author’s honesty in describing Samoans’ attitudes towards sex, relationships, love, and human body seems almost too brutal to believe. The myth of promiscuity and sexual freedom that Margaret Mead established in her book gets debunked. Sia Figiel unravels a completely different reality, in which a girl is beaten up for having a dirty magazine in her bag; in which absolute obedience to parents and other family members is a fact of life; in which punishment for…for what really?…is as sure as the sun rises every morning. ‘People see surfaces only, and that’s all’. These wise words from the first chapter steer readers in the right direction. Appearances can be deceptive, but there is no doubt what the life of a Samoan teenager is really like. Each and every page shows very clearly that adolescents are free only if nobody’s watching. The problem is that in such close-knit communities there’s always someone watching.

Much of the book’s power and plausibility lies in its characters: strong, intriguing, complex. They are a mixed bag of different personalities – some of whom you adore, some of whom you hate. If you analyse closely, you can notice that they represent typical Samoan traits: conformity; abasement; dominance; humbleness; kindness; attachment to tradition. Despite their apparent similarities, they couldn’t be less alike. The story lays bare a striking generation gap between older and younger Islanders – the former treat their culture as immutable; the latter try to reconcile ancestral values with the pleasures of modernity. And it seems that this silent battle can have only one winner. In Samoa, triumph comes with age.

Sia Figiel’s exposure of growing up in Pasifika is written in the most impressive way possible. The style, the rhythm, the pace make the words flow like the ocean waves. The novel has virtually no action, yet it doesn’t fail to engage the reader. This is largely the result of vivid descriptions, which let you find yourself in the middle of a buzzling market, at a girly meetup gossiping about boys, or in Mr Brown’s house looking at the box of Cornflakes (which supposedly make palagi people happy). And although you may feel that the atmosphere is a bit heavy, the occasional bouts of humour bring a wonderful (and much-needed) sense of playfulness. These are the tropics, after all. Dark clouds might cover the sky, but the rays of light are still there.

‘Where We Once Belonged’ is a big surprise. This delightful collection of vignettes shows a place trapped between the past and the present. A place where ‘we’ means ‘I’ and ‘I’ simply doesn’t exist; where some should be seen and not heard. This is Samoa far from paradise. Real, unembellished, alluring. So, are you interested in paying a visit?

‘CONQUERED’ BY PAULA QUINENE

‘Conquered’, Paula Quinene’s debut novel, is a historical erotic romance set in Guam. It follows Jesi, a young Chamorro woman, who finds love and happiness amid the turbulence of war.

conquered

Summary

Ever since the Japanese invaded her homeland, Jesi has been forced to hide in a cave. Her father and brother left the safe place a week ago. They told her they would return, but they still haven’t shown up. Suffering from loneliness and afraid that something might have happened to them, Jesi decides she needs to start her search.

As she battles her way through the island, her worst nightmare of being captured by the Japs comes true. She desperately tries to fight, but they are stronger. She begins to lose consciousness when someone manages to save her.

Not wanting to leave the rescued girl all alone, Johan Landers, an American soldier, follows her to the cave. The little time they get to spend together is enough for them to fall in love with each other.

Review

An erotic novel written by a Pacific author? That doesn’t happen very often. Sex is still considered a difficult, embarrassing, and forbidden subject amongst Pacific communities, so discussing it publicly – in a book – is quite a rarity. However, there are writers bold enough to try to break down this taboo. Paula Quinene is definitely one of them.

‘Conquered’ is a novel in which eroticism is prominent, but not overly so. You might be surprised how little is actually described. Sex doesn’t fill the pages of the book to the brim – it is only an addition to the plot, not its main focus. I have to admit that the author handled all the lovemaking scenes very gracefully, minding the language but not sparing the juicy details. As befits a historical romance – let’s don’t forget the story is set in the 1940s – the book contains no lewd phrases. Ms Quinene maintained the highest standards of eloquence, choosing her words with due regard to the time period, setting, and the nature of her tale. Your cheeks probably won’t turn red, but your heart might start beating a little bit faster than usual.

The plot itself is extremely engaging, but it also feels slightly rushed. Everything happens very quickly, and you are not given enough time to savour the moments. Of course, not all readers will find this unappealing. The storyline flows smoothly from one event to another, and because it never slows down, there is no chance of getting bored. Yet still, most people crave depth and complexity, at least to some extent. In this novel both are virtually non-existent. The briefness of the scenes and the narrative as a whole is – unfortunately – more irritating than pleasing.

One thing Paula Quinene didn’t skimp on is Guam. References to the Chamorro culture are omnipresent. Each chapter unravels the beauty of the local customs and traditions, letting you either discover the exotic and foreign world or come back to the place you already perfectly know. What is more, the book serves as a fantastic history lesson which brings to life the tragic and painful period in Guam’s past – the Japanese occupation of the island. We tend to forget that World War II in the Blue Continent was not limited to Hawaii only. This title is a wonderful reminder. Wonderful and well-researched. The author made sure to check the facts, so this part of the story is very believable and convincing.

Can the same be said of the characters? Absolutely. Both Jesi and Johan are richly developed protagonists who change considerably throughout the course of the novel.

Jesi, although young and inexperienced, is a real fighter. The cruelty she witnessed during the occupation has toughen her up, shaping her adult personality. Being Chamorro, she has the utmost respect for her parents, yet she is not afraid to do things her own way. A gentle rebel of sorts who impresses with bravery and resilience.

Johan, on the other hand, is a mature man. He battles his own demons and is well aware of the fact that life is no bed of roses. Having lost his wife and desire to live, he has dedicated himself to serving his country – he fights, so he can forget. It is not until he meets Jesi that he rediscovers the purpose of his existence and the power of love. He starts to understand that the commitment made to the US Army cannot be more important than the commitment made to his significant other.

We all must agree that Paula Quinene did something quite extraordinary with this novel – she proved that with a little creativity you can tackle even the most taboo topics. Reading ‘Conquered’ is a very pleasant experience. It’s a daring book any fan of Pacific literature will appreciate and enjoy.

‘AN OCEAN IN A CUP’ BY STEPHEN TENORIO JR.

‘An Ocean In a Cup’ is Stephen Tenorio Jr.’s debut novel. It is set in the Marianas in the late 1890s and focuses on the experiences of an islander boy.

AN OCEAN IN A CUP

Summary

Tomas, a very gifted young man, makes a living delivering goods throughout the island of Guam. Together with his karabao he travels from village to village, fulfilling his duties like a responsible adult he after all is.

But Tomas’s life is untroubled only on the surface. The boy is tormented by an inexplicable sickness that slowly weakens his body and mind. With each passing day the darkness that besets him becomes harder to withstand.

Review

Let me warn you right off the bat: ‘An Ocean In a Cup’ is not a light-hearted book you may enjoy on a lazy afternoon at home. It is a complex, multi-dimensional story that will require your undivided attention. Otherwise, you will most likely get lost in the thicket of the author’s words.

Yes, this is the trouble with so-called serious literature – it is not for everyone. Stephen Tenorio Jr.’s novel won’t let you escape. It won’t transport you to another world and it won’t let you live the lives of some made-up characters. It doesn’t offer fast-paced action that flows smoothly from one event to another. Actually, the narrative is terribly slow. But there is a good reason for that. Being full of symbolism and thick layers you have to peel away to get to the pure gold, it provokes critical thinking and paves the way for deeper reflection on human nature and the many facets of multiculturalism.

The author’s extensive exploration of the dynamics of small-island societies sheds light on how the past can affect the present and shape the characteristics of such close-knit communities. As Tenorio recalls the country’s colonial experience, he analyses interactions between individuals from different cultural backgrounds, creating an enthralling portrait of the relations among people in culturally diverse Guam.

The strong plot is supported by plausible and unbelievably well-developed characters. Tomas, the protagonist of the book, is the most intriguing leading figure you can imagine. On the surface, he is a kind of ideal young man: sincere, hard-working, talented. But there is more to him than meets the eye. Suffering from emotional distress, which may be seen as indicative of mental illness, he lives surrounded by darkness only some of us will be able to understand. He’s constantly fighting his demons, desperately trying to free himself from the clutches of his own existence.

Although Tomas is the focal point of the story, the author doesn’t concentrate exclusively on him. Secondary characters are no less interesting. They form a mixed bag of personalities, divergent in every possible way, whom you’ll either love or hate.

In addition to this extraordinary substance, ‘An Ocean In a Cup’ will give you another reason for admiration – Stephen Tenorio Jr.’s writing style. The novel is crafted in a beautiful manner reminiscent of some of the greatest names in literature. This is prose of the highest quality composed of elegance, unassuming lyricism, and sophisticated eloquence that will leave you completely in awe of the author’s talent.

No matter how many times you’ll read this book, you will always discover it anew. It is a real gem, and, as we all know, gems are priceless. So if you’re searching for something unusual, meaningful, and thought-provoking this title should be your choice.

‘ISLAND OF SHATTERED DREAMS’ BY CHANTAL T. SPITZ

‘Island of Shattered Dreams’, penned by Chantal T. Spitz, is a family saga set in the lush islands of French Polynesia. It is the first ever novel written by an indigenous Tahitian writer.

ISLAND OF SHATTERED DREAMS

Summary

Maevarua and Teuira lead a peaceful life on a serene island in French Polynesia until their son – Tematua – is recruited to fight for the Motherland during World War II. Much to the dismay of his parents, he agrees to leave his beloved country to go where he is needed.

Upon returning from Europe, Tematua doesn’t want to talk about his war experience. He slowly reacquaints himself with the islands when he meets beautiful Emere. Their love strikes like lightning.

As the years pass by, Tematua and Emere – now having three wonderful children – still delight in being together. But their comfortable and quiet existence is suddenly, and once again, disturbed by the arrival of white people from the Motherland.

Review

A family saga, love story, and a political statement of sorts woven into one continuous narrative is a highly risky combination. Unless your name is Chantal T. Spitz, and you are a prominent Tahitian writer bold enough to mix poetry with the gloomy and rather unpleasant subject of colonialism. Then such amalgamation turns out to be a truly winning combination.

I am not quite sure why, but whenever a novel is set in French Polynesia, it exudes such a delightful and unique atmosphere that you simply get lost in the world the author has created. Ms Spitz, too, managed to paint a vivid picture of idyllic, romantic islands, where Mā’ohi people enjoy their sheltered lives largely unaware of what’s beyond their shores. The little country seems to be a blissful microcosm of peace and tranquility, filled with warm-hearted and good-natured inhabitants. And do not think that this rosy portrayal of the archipelago is coincidental; or done to charm readers with the ambience of the place. Although the latter indeed works its magic, the very one-sided depiction serves a completely different purpose.

When a writer decides to broach a highly sensitive topic with the aim of eliciting a certain response, provoking a reaction, it needs to give the audience proper stimuli; something that will make them think and understand the message hidden between the lines. To do it, Chantal T. Spitz chose to juxtapose the perfect and unspoilt islands of French Polynesia with the imperialist, not-caring-for-anything-or-anybody Motherland. And she chose well. Her descriptions perfectly accentuate the polarity between the colonizers and the colonized. Even those who are not familiar with the subject matter will understand how great an impact France had on the small Pacific nation. From recruiting Polynesians to fight against the enemy during the Second World War to freely conducting nuclear tests on the pristine atolls to imposing Western values on the local communities, the European country significantly affected their overseas territory. For indigenous people, who consider their land almost sacred and take great pride in their ancient heritage, this piece of history still evokes a sense of injustice. That is why the novel oozes with concealed anger. But, quite honestly, you can’t really blame the author for that, can you?

Now, despite clearly highlighting the contrast between the righteous and the villains, Ms Spitz managed to avoid making generalizations. By developing complex and believable characters, such as mixed-race and thus torn between two cultures Emere (Emily) or Laura Lebrun, a sympathetic towards the natives French lady, she took the bias out of the story and made it even more fascinating and meaningful.

‘Island of Shattered Dreams’ is a historical romance, and as befits a book of this genre, even one set against a strongly political backdrop, the language and style simply delight. You cannot get enough of the lyrical tone and the pieces of poetry thrown here and there along with Tahitian words are the most splendid embellishment. The author’s elegant manner is full of ‘Polynesian vibe’; vibe that’s unparalleled and virtually impossible to imitate.

This slim novel is a must-read. It’s one of the most important titles in Pacific Literature; engaging, thought-provoking, and unbelievably beautifully written. For those who want to experience the allure of the South Seas…without the paradise layer.

‘LOVEFOLDS OF OUR UPBRINGING: A FAMILY’S JOURNEY IN LIFE’ BY LYNN PULOU-ALAIMALO

‘Lovefolds of Our Upbringing: A family’s journey in life’ is a contemporary fiction novel set in American Samoa. The book is Lynn Pulou-Alaimalo’s paperback debut and the first instalment in the Aiga series.

LOVEFOLDS OF OUR UPBRINGING

Summary

One cannot raise children without instiling within them a proper set of values. Helping youngsters establish their moral compass is a mission no parent can take lightly, and Iulia and Tala are keenly aware of that. With great passion and consequence they pass on the Samoan way of being to their sons and daughters, teaching them humility and respect for others in the hope that they will grow up to be considerate and caring people succeeding in their adult lives.

Review

As a writer you know that you only get one debut, and you should use it wisely. Create a book you will be proud of, and – preferably – a book people will want to read. Easier said than done, right? But if you are a Pacific writer (yes, you may just call me biased here), the chances are your debut will be fabulous; or even totally shamazing.

Such is the case with Lynn Pulou-Alaimalo, whose debut novel immediately shows what a gifted and engrossing storyteller she is. Part one of the Aiga series is so enjoyable and pleasant to read that it literally makes you impatient for the next title.

The story of an average Samoan family will resonate mainly with the author’s target audience. Pacific Islanders will surely find it easy to relate to the characters, their actions and behaviours. Being connected by cultures based on the same (or similar) values, they will understand each sentence significantly better, have more reasons to laugh and an excuse to cry. For them, this book will be a piece of home; something familiar, intimate, and recognizable. I cannot but take notice here, that despite the rising popularity of so-called ethnic literature, Pacific peoples are still under-represented in popular fiction genres. Why can’t we see in major bookstores bestsellers with a protagonist that comes from Samoa, Tonga, Niue, or Kiribati? Why can’t a person living in Europe or the East Coast of the United States pick up a novel with a Pohnpeian hero and not wonder what the word ‘Pohnpeian’ really means? (I will deliberately ignore the ignorance of some human beings, who don’t know – and what is worse don’t care – that on our planet Earth there is a region called Oceania, as that’s not the point here). Let me tell you why: because the very few Pacific books that get published are aimed primarily at Pasifika readers. Unfortunately, ‘Lovefolds of Our Upbringing’ is no exception in this regard.

I am all for incorporating indigenous vocabulary into stories, as this adds authenticity and is simply a beautiful adornment. However, if such book is to be accessible to a wider audience, the ‘foreign’ words and expressions should be translated. Lynn Pulou-Alaimalo uses Samoan almost as often as English, which – I want to emphasize this one more time – is utterly wonderful; for people who know both languages. If you don’t speak Samoan, you will have trouble comprehending a great number of lengthy passages. This is certainly a downside of this novel; the only one, nonetheless quite annoying.

Even though this first instalment of the series is bereft of a typical plot – where you can easily identify the purpose of the narrative – it draws you in. You feel as if you’ve been watching someone’s life through a peephole. The characters are remarkably plausible, their experiences solidly anchored in reality. As you travel through the pages, the principles of Fa’a Samoa (the Samoan way) charmingly unfold before your eyes, enabling you to understand the peculiarities of this amazing culture.

Reading Lynn Pulou-Alaimalo’s books is a real pleasure. She is an excellent writer who refuses to forget about her roots. ‘Lovefolds of Our Upbringing’ is a dream opening of the Aiga series. You can’t help but wonder just how good the second instalment will be.

‘TALES OF THE TIKONGS’ BY EPELI HAU’OFA

‘Tales of the Tikongs’ is a collection of satirical short stories penned by a well-known Fijian/Tongan writer and anthropologist, Epeli Hau’ofa.

TALES OF THE TIKONGS

Summary

The inhabitants of Tiko, a tiny country located somewhere in the South Pacific, used to lead peaceful and untroubled lives until the first wave of frightening change called D-E-V-E-L-O-P-M-E-N-T appeared on the horizon. Ever since that day, it has been slowly destroying the ancestral ways of the Tikongs.

Some of the natives try to adapt to this new order of their little world, others fight tenaciously to preserve their heritage. But it seems that not much can be done to save the past, because the new has already replaced the old – once and for all.

Review

No one does satire quite like Epeli Hau’ofa did. Honestly, no one. The great Tongan-Fijian author was a genius; the master of words, humour, and subtle irony. He was a storyteller, a poet, a visionary. But most of all, he was an astute and insightful observer who had an innate gift for noticing things most of us do not pay much attention to. ‘Tales of the Tikongs’ is a result of such observations conducted among Pacific Island societies.

Have you ever wondered what ‘development’ really means and how it affects the lives of both single individuals and whole communities? What changes does it bring? Where does it lead? What does it give and what does it take from people? You could probably find dozens of textbooks that would provide precise answers to these questions. But why would you do that if you can read a compilation of entertaining stories that will uncover the mystery behind the ‘D’ word just as well as any piece of academic literature? Exactly. It’s an easy pick, I know. That is why Epeli Hau’ofa’s book is so worthy of your time.

In this slim yet substantial volume, the author focuses on a somewhat academic topic but presents it in a very approachable way. You don’t need to be an expert to understand his ‘discourse’. Nor do you have to be familiar with the Pacific region, where the stories take place. Because the country of Tiko could be anywhere in the world. Well, almost anywhere, as Tikongs (the inhabitants of Tiko) do manifest particular traits that are characteristic of many but not all national cultures. They are religious, compassionate, community-oriented people, deeply attached to traditional values and beliefs. And although they’d like to remain indifferent to the revolutionary change that has been sweeping through their homeland, it’s hard to resist the temptations of the new world. Some things are easier said than done. And some things are just inevitable. Death and taxes? Oh yes! And change. Change cannot be avoided; no matter if you live on a remote island or in a bustling city that never sleeps.

Epeli Hau’ofa tells his tales with a razor-sharp wit and wry humour. You can only marvel at his astonishing analytical skills that are brilliantly woven into each and every word. This compilation of twelve stories is not just a piece of amusing literature. Albeit quite light-hearted, it is meaningful and eye-opening reading material that enlightens the audience, making them aware of the impact imperialism and globalization have on indigenous societies.

Now, can you read this book ‘just for fun’? Absolutely. It’s written in a very pleasant manner that you will absolutely love. It will make you laugh, that’s for sure. And it will probably make you think. Well, just treat this as an added bonus.