Tag Archives: Pacific Islands

FORGET GREY. BEST BOOKS FOR VALENTINE’S DAY

‘I am Daniel Tahi’ by Lani Wendt Young

‘I am Daniel Tahi’ is a companion novella to Lani Wendt Young’s well-known Telesa series. As it shows Daniel’s point of view, it is written in a very ‘manly’ manner. It’s casual, funny, and…quite hot. You think Christian Grey is a guy for you? That means you haven’t met Daniel Tahi yet. And believe me, you do want to meet him.

‘Sons For The Return Home’ by Albert Wendt

Albert Wendt’s cross-racial love story follows a young student, the son of Samoan migrants, who falls for a pakeha girl. Amidst the troubles and difficulties, the two lovers discover the world of intimacy and relationships, quickly realizing that it’s not always easy to love someone from a different culture. The plot of this book is filled with desire, lust, sexual tension, and…overwhelming longing for what’s not there but could be.

‘Conquered’ by Paula Quinene

This historical erotic romance revolves around Jesi, a young Chamorro girl who, in the most dramatic circumstances, meets the man of her dreams. The story will make your heart beat a bit faster than usual, and the couple’s intense relationship will make you green with envy…or red in the face (if you know what I mean).

The Scarlet Series by Lani Wendt Young

Sometimes girls just wanna have fun, right? And, trust me, no one does it better than Scarlet, the main character in the series. Especially when a very handsome man appears on the horizon. Although this very enjoyable book may seem light-hearted on the surface, it has a real plot full of secrets. And if you’re looking for some romance, you will definitely find it here!

‘A Farm in the South Pacific Sea’ by Jan Walker

This title is a little more ‘serious’, more ‘mature’. It recounts a true story of June von Donop, who comes to the Kingdom of Tonga to find a purpose in life but ends up finding her true soulmate (while at the same time having a romance with a young Tongan man). This is the most beautiful love story, told with great passion, that you’ll want to reread as soon as you finish the last sentence.

A CHAT WITH… MAUREEN FEPULEA’I

Maureen Fepulea’i surely is an extremely talented person. Not only is this Samoan-born lady an award winning playwright but also a very gifted writer. Her short story, ‘A Samoan Wife’, was one of the top stories in the Samoa Observer Tusitala Short Story Competition and thus was included in the compilation ‘Our Heritage, The Ocean’. But Maureen is also someone you should listen to. Her wise words really make people think. So, are you interested in getting to know more? Read on.

maureen-fepuleai

Pasifika Tales: Why did you decide to enter the Samoa Observer Tusitala Short Story Competition?

Maureen Fepulea’i: I decided to enter the Samoa Observer Tusitala Short Story Competition because I had a story to share. It also helped that there was prize money involved 🙂

PT: Did you have any idea that your piece would appear in the compilation? What was your initial reaction when you learnt about it?

MF: I found out that ‘The Samoan Wife’ was going to appear in the compilation, after the judging had been completed. I was very excited and at the same time, pretty surprised that my piece was to be included, considering the high calibre of the winners entries.

PT: As you’ve already mentioned, the story we are talking about is entitled ‘The Samoan Wife’. What does it mean to be a Samoan wife?

MF: I can only speak from my personal observations and experiences throughout my lifetime. Being a Samoan wife is to be strong in the face of adversity; to sacrifice self in the name of peace and harmony in the family; to submit to the will of your husband whether good or bad; to lose your precious status as ‘feagaiga’ because you are now married; to obey; to smile for the world to see that all is well in your aiga, regardless of whether it is or not; to clean up the mess made by your husband, your children, your in-laws, your parents; to love, cherish and honour your husband above all till death do you part; to be treated like the Princess that you are; to be honoured and respected for all that you do; to be a fierce, beautiful and intelligent and empowered individual.

PT: I’d say – and your story shows it quite clearly – that Samoan wives are strong enough to carry on with their duties no matter what happens behind closed doors. Would you agree?

MF: From my observations and also personal experience, I strongly agree with that statement. I wrote a play – ‘e ono tama’i pato’ that illustrates this very well. Unfortunately, the cost to the ‘Samoan wife’ is too high; mentally, physically, emotionally and spiritually.

PT: You wrote a story that’s – apart from being very moving – extremely uplifting. Did you want to give women the courage to say: ‘It’s not OK the way it is’?

MF: I actually started writing ‘The Samoan Wife’ based on an experience my Mum had immediately after my Father died. Mum had brought Papa’s body back from Samoa to New Zealand and we were preparing for his funeral. I remember my Mum called out from her room and when we rushed in, her nose was bleeding and she said that she had seen my Father in the mirror. As my writing progressed, it developed into a story of empowerment for women but at the same time, illustrated the powerful conditioning of the Samoan wife’s mind to loyally protecting the image of ‘aiga’ at the expense of her truth and her personal dignity. I agree that I wanted women to know that “it isn’t OK the way it is” as well as for our Samoan women to know that they are not alone in what they are going through. Despite the masks we wear, we can all empathise to some degree, with what goes on behind closed doors.

PT: Domestic violence is a big problem throughout the Pacific. Actually, in ‘Our Heritage the Ocean’ there is another emotionally charged piece – Sina Retzlaff’s ‘Unborn Child’ – that deals with the same subject. Do you think that talking about it openly can bring about some changes?

MF: I think that talking about it openly is always a good thing. My concern is that it usually ends at the talking stage, until the next workshop or fono or “domestic violence awareness event”. I believe that it is like the scripture in the book of James – Faith without works is dead. So is talk without works. I believe that churches need to take a greater responsibility in teaching and educating families about the feagaiga of respecting for, taking care and protecting our wives, husbands and children. I believe that our Matai and Family leaders need to take a stronger lead and set premium examples of how to treat one another. I believe that our children need to have their voices heard in their respective aiga. We are an oratory culture – we are also a culture of action and service. This needs to go hand in hand when it comes to addressing and deleting family violence from our collective mindsets. Don’t get me started…

PT: So now getting back to you… You are an accomplished playwright, but do you plan to write more? Publish a book maybe?

MF: I so plan to write more. I have many stories lined up inside my head bursting to come forth. Whether they come out in poetry form, song form, script form or story/book form remains to be seen. All I can say for now is, “watch this space” auuuuuuuuu lol.

PT: Would you encourage your fellow Pacific Islanders to become tellers of tales? There are so many talented people from the region, aren’t there?

MF: ABSOLUTELY!!! Your life is your story! Your observations and experiences are the content of your manuscript! You don’t have to be formally trained or educated to share your story. Your story may be exactly what somebody else needs to read to be inspired or motivated to take the next step for empowering themselves. Your story may come out as drawings, sculptures, song, poetry, script, written story or performance theatre…however you choose to share your story, please do!

‘OUR HERITAGE, THE OCEAN’

‘Our Heritage, The Ocean’ is a compilation of the top stories from the 2015 Samoa Observer Tusitala Short Story Competition.

our-heritage-the-ocean

Summary

What’s life like in the beautiful Pacific? Is living in paradise happier, more joyful, less stressful? Are smiles broader and tears less burning there? Sometimes, yes. Other times, no. Just like anywhere else in the world.

The loveliness of the islands doesn’t shield people from the trials and tribulations of everyday life. There are troubles, doubts, decisions one needs to make; and a constant conflict between the values of the ancestors and the modern world. Because when the past collides with the present, everything’s a little bit harder to do.

Review

This book is an undeniable proof that there are so many talented writers among the Pacific Islanders. And thanks to the Samoa Observer Tusitala Short Story Competition, some of them finally get a chance to shine.

To say that this collection is good would be an understatement. It is truly exquisite. Actually, when you start reading it, you just can’t put it down.

The stories presented in the compilation are as varied as the islands of the Pacific they focus on. Some of them are serious in nature, others more light-hearted. Some might make you furiously mad or saddened, while others will surely bring a smile to your face. But they all have one thing in common – they touch on the issues important for the Pacific peoples.

The most distressing tale is narrated by an unborn child who – while still in the mother’s womb – endures physical abuse. This spectacular and uncommon way of showing the problem of domestic violence has never been seen before. It’s a literary masterpiece I dare to say only someone from the Pacific region (in this case, it was Sina Retzlaff) could create.

Another story that brings up a similar topic concentrates on a Samoan wife – dutiful and ready to stand by her man no matter what. Good reputation is all that counts. The rest stays behind closed door.

Domestic violence is not the only problem the Islanders need to face. Reconciling traditional ways of being with modern lifestyles proves to be an enormous challenge as well, for young and old alike. And then there’s this long-lasting antipathy towards those who belong to a different race, who are not of full blood. As it turns out, migrants in the Blue Continent struggle to feel accepted no less than the Islanders living in foreign countries.

Yes, this is the Pacific shown in its truest colours.

The stories vary greatly in themes explored but not in quality, which is a very rare thing. Usually, when a compilation includes works by various authors, the level of one’s reading enjoyment fluctuates wildly depending on how good a particular tale is. But this book is different, as not even one story is less interesting than the others. They are all exceptionally well written in a style that stirs the imagination and engages all the senses. Vivid descriptions – so important in some of these narratives – help convey the message, making the truths hidden between the lines perfectly visible. Because this compilation is not only entertaining, but most of all thought provoking. It encourages critical reflection and deep thinking – something only the best pieces of literature are able to do.

‘Our Heritage, The Ocean’ is a book I wholeheartedly recommend. Seventeen stories – all equally good, seventeen authors – all worthy of attention. Robert Louis Stevenson surely would be proud.

THAT ONE BOOK

My Pacific Literature adventure began when I first read Albert Wendt’s book. I read it and I fell in love – with his creativity, writing style, talent. Then, years later, I discovered other authors from the region: Lani Wendt Young, who is the voice of contemporary Pacific women. Tanya Taimanglo, a very gifted lady whose tales accompany me in my daily life. Epeli Hauʻofa, for works of whom I reach whenever I need a bit of laugh. There is also Sia Figiel (The greatest). And Célestine Hitiura Vaite (Oh how I regret she hasn’t written anything since her charming Materena Mahi Trilogy). And Stephen Tenorio Jr. (Joyce, Hemingway of the Blue Continent?). And Chantal T. Spitz (She proves that poetry can convey a powerful message). And Lehua Parker (I had never thought I’d be interested in the adventures of a teenage boy, but I was!). And… I could go on and on about the writers from the South Seas. All outstandingly talented, most virtually unknown.

But if there is one author and one book that truly touched my heart, it’s Sieni A.M. and her ‘Scar Of The Bamboo Leaf’. This is such a superb novel, that it’s impossible to simply describe it, as no amount of words could ever truly show its beauty.

The (love) story of two young people, both physically or emotionally ‘flawed’ (I hate this word!), is technically aimed at young adults. However, it should be read by all – regardless of age, sex, social status, etc. At this moment you are probably wondering why. Let me explain.

Sieni A.M. created a moving narrative and filled it with extraordinary, extremely believable characters. Especially Kiva, the heroine of the book, is someone we should look up to. By modern standards, the girl is not perfect. Her visible limp makes her less worthy. She gets laughed at; she gets called names; she gets bullied. Just because she doesn’t meet the standards of beauty. What is beauty anyway? Well… Beauty is Kiva. A girl so strong, so understanding, so compassionate that you can’t help but be amazed at her fortitude. She proves that nothing can break you unless you let it. That you are not ‘without your strengths’, even if you ‘have flaws and insecurities’. That each and every one of us ‘belongs to something greater than our physical body and the physical world around us’. That if we can ‘walk, crawl, or limp toward our dreams, it is enough’.

How often do we forget about this? How often do we ask for more than we already have? How often do we treat ‘people like Kiva’ with not enough respect? ‘Scar Of The Bamboo Leaf’ is a wonderful reminder of what’s really important in life. It lets us understand that if we are good people, we are all perfect – even if the rest of the world keeps telling us otherwise. The colour of your skin, the structure of your hair, the length of your legs don’t matter. Dream, fulfill your potential, and help others do the same.

I have already read this novel quite a few times and it’s still not enough for me. I know that this book will stay with me till the rest of my life. Because it is beautiful, thought-provoking, inspiring, and moving. Every time I immerse myself in this story, it touches my heart. It gives me hope and encouragement. And it makes me cry (and you must know that I am not an easy crier – quite the contrary).

Such phenomenal piece of literature could have been created only by an enormously talented writer. That’s Sieni A.M. – a truly perfect woman.

THROUGH MY EYES: ‘MAHÅLANGNESS – THE FUEL THAT FED MY WRITING FIRE’ BY PAULA QUINENE

‘How long have you been away from home?’ I asked an army friend.

‘Thirteen years,’ he replied.

And to myself, I said, How could anyone be away from Guam for 13 years? It’s simple really. When was the last time you checked on ticket prices to an island half way around the world? Imagine the expense for a college student from the lower end of the middle class.

So it began, the winter of 1993. I started college at the University of Oregon, away from my family, away from Guam, and very mahȧlang. In Chamorro, mahȧlang means homesick. My parents bent over backwards to bring me home in the summers of 1993 and 1994. During my second full year of school, I decided that I would wait to go home. I didn’t want to ask my parents for another $1,800 ticket. And even with my multiple jobs as a college student, I couldn’t afford that ticket, not after paying for rent, books, and food. I could wait three years to go home. Truth was, I was very mahȧlang listening to JD Crutch, and cooking Guam food. I almost left college in 1995 without graduating. But I realized how hard my parents were working to send their oldest child to school. So I stopped listening to Chamorro music, and focused even more on my studies.

It was the summer of 1996, and low and behold, I had only one year of college left – then I fell in love with a Chamorro boy in the army, got married, graduated, and was whisked away to Germany. I cried almost every day my first year overseas. What did I do? I was supposed to go home!

In the span of 20 years, I had been to Guam only three times – 1999, 2006, and 2013. The pain in my heart, in my very being, gave life to my cookbooks, ‘A Taste of Guam’ and ‘Remember Guam’, and my novel, ‘Conquered’. My mahȧlangness was the fuel that fed my writing fire.

During my sophomore year at Simon Sanchez High School, I felt I had a destiny with my island. It was in 2006, while I was working on my cookbooks and my novel that I realized exactly what I was meant to do. And that was to write about Guam. If I had returned to Guam, I wouldn’t have been mahȧlang, and I wouldn’t have written my books.

Over the last 10 years, I’ve built my website, Paulaq.com, and my supporting social media presence, because I am very mahȧlang. Denial works sometimes – that I’m OK being away from home. However, writing about Guam keeps me connected to the land and the family that raised me. Writing has proven to be more productive and useful than hiding from the pain.

Fortunately, I’ve been home twice within the past three years, and am now able to continue that trend. I’m still homesick, but the pain is more bearable.

While I’ve been working on another Guam food book on and off since 2012, I thought I was done writing novels. Yet she calls to me. Her plight. Her fight. Her struggle to reclaim what was taken by colonizing forces, ‘Write for me. Let your love now feed your writing fire.’

From whatever island you are from, embrace your love and your homesickness. Allow it to help you share and preserve the richness of your heritage.

MOST INTERESTING CHARACTERS IN PACIFIC LITERATURE (PART 1)

Simone, The Telesa Trilogy by Lani Wendt Young

Just imagine… An exuberant fa’afafine who is an absolute ideal of a best friend and who seems to always know what to say and do. Don’t you wish you had a person like this around you? Yes, Simone is…well…just shamazing!

Lani Wendt Young created a character who’s far more interesting and compelling than the protagonists of the novels, but – what’s important – doesn’t steal the whole spotlight. The bright and bubbly personality she bestowed upon him makes the occasionally serious story exude humour and Polynesian cheerfulness.

Materena, The Materena Mahi Trilogy by Célestine Hitiura Vaite

Materena is the real heroine of the trilogy. A devoted wife, an excellent mother, a star. She is, as teenagers would say, the coolest ever.

The author managed to develop a dynamic female character who is, first and foremost, a woman strong enough to fight for herself and do as she pleases. This powerful feminist voice is a reminder that you can never forget about your own needs; and that your dreams are just as important as everybody else’s.

Kiva, ‘Scar of the Bamboo Leaf’ by Sieni A.M.

The most fascinating people are the ones who have a story to tell; the ones who are not perfect (what does it mean to be perfect, anyway?); the ones who can teach us something. And because we usually want the novels to reflect the real world, the same goes for literary characters.

Kiva, the protagonist of Sieni A.M.’s book, instantly becomes your best friend. She isn’t flawless (although for me she is!), she has her struggles, and yet she is determined to lead a happy and meaningful life. She is a true role model every one of us – regardless of age – should look up to and at least try to emulate.

Tomas, ‘An Ocean In a Cup’ by Stephen Tenorio Jr.

Stephen Tenorio Jr’s literary debut, ‘An Ocean In a Cup’, is a wonderful example that it is indeed possible to create a multi-layered character who can not only attract but also hold readers’ attention.

Tomas is a leading figure of the book. Although at first he seems like an ordinary – extremely gifted, yes, nonetheless completely average – young man, you quickly realize there is more to his personality than what you see on the surface. The inexplicable darkness within him makes you contemplate psychological mechanisms that define human nature.

Uncle Kahana,  The Niuhi Shark Saga by Lehua Parker

In Middle Grade/YA genre characters are probably the most important element of the story. They may be an inspiring example for the youth; they may provide them with guidance; they may impart the words of wisdom. But most of all, they may entertain.

Uncle Kahana is a mysterious elder who knows more than he’s willing to show. Well versed in traditional knowledge, he represents ‘old Hawaii’, showing everyone that the ancient way of being is an integral part of the island life, and that indigenous culture simply must be respected.

‘LOVEFOLDS OF OUR UPBRINGING: A FAMILY’S JOURNEY IN LIFE’ BY LYNN PULOU-ALAIMALO

‘Lovefolds of Our Upbringing: A family’s journey in life’ is a contemporary fiction novel set in American Samoa. The book is Lynn Pulou-Alaimalo’s paperback debut and the first instalment in the Aiga series.

LOVEFOLDS OF OUR UPBRINGING

Summary

One cannot raise children without instiling within them a proper set of values. Helping youngsters establish their moral compass is a mission no parent can take lightly, and Iulia and Tala are keenly aware of that. With great passion and consequence they pass on the Samoan way of being to their sons and daughters, teaching them humility and respect for others in the hope that they will grow up to be considerate and caring people succeeding in their adult lives.

Review

As a writer you know that you only get one debut, and you should use it wisely. Create a book you will be proud of, and – preferably – a book people will want to read. Easier said than done, right? But if you are a Pacific writer (yes, you may just call me biased here), the chances are your debut will be fabulous; or even totally shamazing.

Such is the case with Lynn Pulou-Alaimalo, whose debut novel immediately shows what a gifted and engrossing storyteller she is. Part one of the Aiga series is so enjoyable and pleasant to read that it literally makes you impatient for the next title.

The story of an average Samoan family will resonate mainly with the author’s target audience. Pacific Islanders will surely find it easy to relate to the characters, their actions and behaviours. Being connected by cultures based on the same (or similar) values, they will understand each sentence significantly better, have more reasons to laugh and an excuse to cry. For them, this book will be a piece of home; something familiar, intimate, and recognizable. I cannot but take notice here, that despite the rising popularity of so-called ethnic literature, Pacific peoples are still under-represented in popular fiction genres. Why can’t we see in major bookstores bestsellers with a protagonist that comes from Samoa, Tonga, Niue, or Kiribati? Why can’t a person living in Europe or the East Coast of the United States pick up a novel with a Pohnpeian hero and not wonder what the word ‘Pohnpeian’ really means? (I will deliberately ignore the ignorance of some human beings, who don’t know – and what is worse don’t care – that on our planet Earth there is a region called Oceania, as that’s not the point here). Let me tell you why: because the very few Pacific books that get published are aimed primarily at Pasifika readers. Unfortunately, ‘Lovefolds of Our Upbringing’ is no exception in this regard.

I am all for incorporating indigenous vocabulary into stories, as this adds authenticity and is simply a beautiful adornment. However, if such book is to be accessible to a wider audience, the ‘foreign’ words and expressions should be translated. Lynn Pulou-Alaimalo uses Samoan almost as often as English, which – I want to emphasize this one more time – is utterly wonderful; for people who know both languages. If you don’t speak Samoan, you will have trouble comprehending a great number of lengthy passages. This is certainly a downside of this novel; the only one, nonetheless quite annoying.

Even though this first instalment of the series is bereft of a typical plot – where you can easily identify the purpose of the narrative – it draws you in. You feel as if you’ve been watching someone’s life through a peephole. The characters are remarkably plausible, their experiences solidly anchored in reality. As you travel through the pages, the principles of Fa’a Samoa (the Samoan way) charmingly unfold before your eyes, enabling you to understand the peculiarities of this amazing culture.

Reading Lynn Pulou-Alaimalo’s books is a real pleasure. She is an excellent writer who refuses to forget about her roots. ‘Lovefolds of Our Upbringing’ is a dream opening of the Aiga series. You can’t help but wonder just how good the second instalment will be.

THROUGH MY EYES: ‘HEROINE OF MY OWN WORLD’ BY LYNN PULOU-ALAIMALO

My frantic schedule as a tina (mother) compels certainty that I am a heroine of my own kind. A heroine of my own world. Not the mother who wakes up to the sound of birds in her garden with violin playing in the background. Or one who would snap her finger and the kids would form a formation while singing Do-Re-Mi before single filing out to the car for school. As a heroine of my own world, I persevere through the opposite of that.

When I reflect back to legendary myths about heroines across the Pasifika, I marvel at their strength, preservation, and dauntless examples as warlords. Like Ka wahine ‘ai Honua, or the goddess of fire Pele – she shaped and sheltered the Hawaiian lands. In Samoa, I admire the Siamese twin sisters Taema and Tilafaiga’s journey that procured titles and proverbs presently used by the Samoan people. They profusely left behind tales which not only contributed to histories of lands and the ocean, but also influenced the growing mana of the tina in the family.

As a mother, I find strength to cope with every responsibility through the eyes of my family. My mom has. Grandmothers, great grandmothers and every woman in our lineage of ancestors did. My gratitude extends far out to pillars who appraised the value of culture and family. I wouldn’t be embracing much now, without the restless mothers and goddesses who instilled courage into the feats I now battle with as, “Mom, mommy, ma, Momma, Mummy, Momsy…mummified!”

I remember the tale of the Siamese twin sisters Taema and Tilafaiga, whose breeding voyage knitted a foundation of the Samoan culture. They are known in real stories as the sisters who sailed between Fiji, Tutuila (American Samoa), Manu’a, Savaii and Samoa. Tilafaiga is the mother of a mighty war goddess by the name of Nafanua. Nafanua’s supernatural powers have no equal. Her immortal influences crafted systems currently embraced by the Independent Samoan government.

In the course of an endless hardship in Falelatai village, Nafanua sailed out to save her people from slavery. When Nafanua arrived unaccompanied with her war clubs, there wasn’t a presumption that she’ll drive a force of warriors away from her village. She didn’t have an army. However, her scorching powers formed an army of dragonflies and insects that fought beside her. Although men outnumbered her, Nafanua killed a numerous count during battle. At the wake of dawn, a breeze swept her upper apparel, exposing her breasts to the men. The Warriors were embarrassed and immediately fled out into the forest.

Relatively, my contemporary dream is some sort of power that’ll someday lure my imaginary Edward Scissorhands to organize plates, spoons and laundry around the house. Or perhaps a wand gadget devised to hold all the chores while the other arm is sitting at the drive-thru of Starbucks awaiting a Venti-sized caramel macchiato with two shots of espresso and less foam.

Every tina, or mother is a heroine in many ways. A tina is a representation of her own kind, a legend of her own story and a descendant of heroine ancestors. I am a heroine in my own world who still wakes up to the sound of the fire alarm because my better half has left the toaster notch at 5. A mother who is always relieved to be the first at the school drop off zone, and in the latter discovers a peanut butter face with a missing pair of shoe. Echoing in the hallway some mornings are numerous complaints to start my day: Mommy, the dog ate my science project! Mommy what am I going to wear? Where’s my catcher’s mitt? These mind-boggling occasions happen so often that all I can reminisce about are the days when there was no Starbucks, no toaster or a car; but a dear mother who wakes up before sunrise to grind the Koko Samoa (Samoan cocoa beans) and gather pandanus leaves to weave a fine mat for my family.

‘TALES OF THE TIKONGS’ BY EPELI HAU’OFA

‘Tales of the Tikongs’ is a collection of satirical short stories penned by a well-known Fijian/Tongan writer and anthropologist, Epeli Hau’ofa.

TALES OF THE TIKONGS

Summary

The inhabitants of Tiko, a tiny country located somewhere in the South Pacific, used to lead peaceful and untroubled lives until the first wave of frightening change called D-E-V-E-L-O-P-M-E-N-T appeared on the horizon. Ever since that day, it has been slowly destroying the ancestral ways of the Tikongs.

Some of the natives try to adapt to this new order of their little world, others fight tenaciously to preserve their heritage. But it seems that not much can be done to save the past, because the new has already replaced the old – once and for all.

Review

No one does satire quite like Epeli Hau’ofa did. Honestly, no one. The great Tongan-Fijian author was a genius; the master of words, humour, and subtle irony. He was a storyteller, a poet, a visionary. But most of all, he was an astute and insightful observer who had an innate gift for noticing things most of us do not pay much attention to. ‘Tales of the Tikongs’ is a result of such observations conducted among Pacific Island societies.

Have you ever wondered what ‘development’ really means and how it affects the lives of both single individuals and whole communities? What changes does it bring? Where does it lead? What does it give and what does it take from people? You could probably find dozens of textbooks that would provide precise answers to these questions. But why would you do that if you can read a compilation of entertaining stories that will uncover the mystery behind the ‘D’ word just as well as any piece of academic literature? Exactly. It’s an easy pick, I know. That is why Epeli Hau’ofa’s book is so worthy of your time.

In this slim yet substantial volume, the author focuses on a somewhat academic topic but presents it in a very approachable way. You don’t need to be an expert to understand his ‘discourse’. Nor do you have to be familiar with the Pacific region, where the stories take place. Because the country of Tiko could be anywhere in the world. Well, almost anywhere, as Tikongs (the inhabitants of Tiko) do manifest particular traits that are characteristic of many but not all national cultures. They are religious, compassionate, community-oriented people, deeply attached to traditional values and beliefs. And although they’d like to remain indifferent to the revolutionary change that has been sweeping through their homeland, it’s hard to resist the temptations of the new world. Some things are easier said than done. And some things are just inevitable. Death and taxes? Oh yes! And change. Change cannot be avoided; no matter if you live on a remote island or in a bustling city that never sleeps.

Epeli Hau’ofa tells his tales with a razor-sharp wit and wry humour. You can only marvel at his astonishing analytical skills that are brilliantly woven into each and every word. This compilation of twelve stories is not just a piece of amusing literature. Albeit quite light-hearted, it is meaningful and eye-opening reading material that enlightens the audience, making them aware of the impact imperialism and globalization have on indigenous societies.

Now, can you read this book ‘just for fun’? Absolutely. It’s written in a very pleasant manner that you will absolutely love. It will make you laugh, that’s for sure. And it will probably make you think. Well, just treat this as an added bonus.

BEST BOOKS BASED ON PACIFIC MYTHS, LEGENDS, FOLK TALES

The Telesa Trilogy by Lani Wendt Young

This highly acclaimed series is a modern take on Pacific mythology, which makes it a perfect read for teenagers.

The thrilling story of Leila Folger is a passionate romance based on the legends of Teine Sa, the spirit women of Samoa. The popular ancient beliefs are masterfully incorporated into the narrative – they constitute a considerable part of the story, yet they are not overwhelming.

The trilogy may be perfect for juvenile audiences, but you’ll love it even if you’re past your teenage years!

‘Sirena: A Mermaid Legend from Guam’ by Tanya Taimanglo

The story of Sirena, Guam’s legendary mermaid, is so well-known in the Pacific region that there is probably not a single person who wouldn’t be acquainted with it. This is one of the reasons why every Pasifika aficionado should read, and possess, Tanya Taimanglo’s book.

This particular retelling of the famous folk tale is a real beauty. Embellished with the most gorgeous illustrations – created by the author’s brother, Sonny Chargualaf – it will be an absolute treasure in your home library. Plus, it will definitely draw children’s attention!

‘Princess Hina & the Eel’ by King Kenutu

This is another wonderful book, especially for older children and teenagers.

The story of genuine, eternal love between a princess and a commoner is one of the better-known folk tales in Polynesia. It is captivating, thought-provoking, and timeless in its message. King Kenutu’s version is not only beautifully told but also full of passion that can be felt in each and every word.

The Niuhi Shark Saga by Lehua Parker

Lehua Parker’s saga is a brilliant example of engaging middle grade/young adult literature that’s deeply rooted in the local Polynesian mythology.

Although the series is not based on one particular myth, legend, or folk tale, it draws inspiration from old Hawaiian stories of a shapeshifting shark-man, Nanaue. It is not a retelling of the legend, but you may certainly find some similarities. Who knows, maybe Zader’s adventures will encourage you to delve into ancient tales from the Aloha State…

‘Turtle Songs: A Tale for Mothers and Daughters’ by Margaret Wolfson

This book tells the ancient Fijian myth – especially popular on the island of Kadavu – about the Turtle princess and her daughter.

It’s a classic retelling, gracefully narrated and adorned with lovely – absolutely lovely – watercolours. The illustrations make the story come alive before the reader’s eyes, so even young children will read or listen to this tale with great interest.